Unmarked6698
- Flag inappropriate
- Show review history
"Mr Lawrence would represent the voyage to the West Indies as beautiful, wonderful, and indeed magical, as an Arabian Nights dream," said Lucy. "But you did not tell me of cockroaches, sir," she added with a smile, and with one of those looks which in her seemed a brooding or dwelling of the eye, though if judged of its effect by time the look was scarcely more than a glance; yet this was[Pg 105] the consequence of the peculiar beauty of her heavy lids rendered yet more languid by the fringes through which the large dark brown orbs of vision directed their gaze. "And you said nothing about the beef blue with salt which creates thirst before it is tasted." It would exceed the bounds of possibility to suppose that any charming girl of great sensibility whose heart was disengaged, whose feelings were fresh and sweet, could nurse for the space of five weeks so fine, manly, and[Pg 448] handsome a gentleman as Mr Lawrence without falling in love with him. This may be true of ninety young ladies in every hundred. But what was Lucy Acton's case? She was secretly but deeply in love with Mr Lawrence when his own overmastering passion for her impelled him into the perpetration of an outrage upon her person, and a criminal offence against her father. She had loved him with a passion deep and concealed in her spirit long before her abduction, and Aunt Caroline had guessed the truth. She had loved him with an increasing fervency, even after she had been cruelly abstracted from her home, when she knew that her kidnapper's intention was to rob her father of his ship, and the freighters of their goods, and the crew of their wages. And never had she loved him so well as when she was feigning madness with the aim of being transhipped and sent home by him, and when at every interview his eyes reposed upon her with adoration in their expression and his bearing towards her was as gentle, appealing, respectful, and dignified as though he was courting her in hours of health and content, with her father's sanction, and under her father's roof. "An' Teacher Stanhope, he deeded the swamp to me," said Billy dazedly. He got up from the log and squared his shoulders. "Well," he spoke, "that was mighty good of him, but I ain't wantin' that swamp.".
453 people found this
review helpful
kez_ h (Kez_h)
- Flag inappropriate
- Show review history
In turning up the ground of the cell, it was discovered that it communicated with the dungeon in which Ferdinand had been confined, and where he had heard those groans which had occasioned him so much terror.I tried logging in using my phone number and I
was supposed to get a verification code text,but didn't
get it. I clicked resend a couple time, tried the "call
me instead" option twice but didn't get a call
either. the trouble shooting had no info on if the call
me instead fails.There was
'Never will I rise, madam,' replied the count, with an impassioned air, 'till'—He was interrupted by the marchioness, who at this moment entered the grove. On observing the position of the count she was retiring. 'Stay, madam,' said Julia, almost sinking under her confusion. 'By no means,' replied the marchioness, in a tone of irony, 'my presence would only interrupt a very agreeable scene. The count, I see, is willing to pay you his earliest respects.' Saying this she disappeared, leaving Julia distressed and offended, and the count provoked at the intrusion. He attempted to renew the subject, but Julia hastily followed the steps of the marchioness, and entered the castle.
658 people found this
review helpful
Conrad
"And he left no address behind?" questioned Mr. Johnston. "Ain't goin' to kill 'em," his friend replied. "Trigger-Finger Tim never killed his; he took 'em all alive. All he did was crease their skulls with bullets, an' scrape their spines with 'em, an' when they come to they'd find themselves tied hand an' foot, an' Trigger-Finger smokin' his cigarette an' smilin' down on 'em." Lucy heard a church bell strike: she started from a fit of abstraction, and, turning to move on, confronted an old man who was crossing the bridge. The face of this old man was pale and wrinkled; his hair was long and quite white. His nose streamed down his face in a thin, curling outline; his mouth when his lips were compressed might be expressed by a simple stroke of a pencil.[Pg 30] His eyes were deep-seated and extraordinarily luminous and swift in their motions, and his eyebrows, which were as white as his hair, were so thick and overhanging that they might have passed for a couple of white mice sleeping on his brow. His apparel had that dim and faded look which in fiction is associated with miserliness. His high and dingy white cravat and the tall build of his coat at the back of his head, so sloped his shoulders that they looked to make a line with his arms. He wore a faded red waistcoat which sank very low, and under it dangled a bunch of seals. His knee-breeches left painfully visible the pipe-stem shanks clothed in grey hose and terminating in large shoes, burdened with steel buckles. "'And the message,' he says, 'this is ut: "Off Gibson's Grove at tin o'clock,"' says he.".
298 people found this
review helpful